Certain things in this world sing to us a sublime wake up call. We’re constantly searching for them, something real to hold onto and give us the feeling that our lives count for something worthwhile. Whatever this means to us personally, we should not limit where may we expect to find significance or what form it may take. These special experiences, notions, relationships, and phenomena are what we feel as the profound. And when we find it, we know because we can say, now this—this is life.
Miles Levin (1988-2007)
THE MILES LEVIN MUSICAL ESSAY AWARD recognizes an outstanding personal essay on the current topic of the Institute. The winner receives a cash prize of $250, and presents the essay as a plenary speech before the distinguished members of the Institute. This prestigious award is given in honor of Miles Alpern Levin, an extraordinary young essayist whose life and work tragically were cut short.
The goal of the award is to recognize creativity and courage in musical prose by encouraging music scholars to write and communicate in a more informal, personal, embodied, and readable style than that of conventional scholarly discourse. The essay, as spoken, should be approximately fifteen to twenty minutes in duration, and may relate to the annual theme of the Institute in any way. It may be metaphorical, philosophical, poetic, humorous, playful, ironic, historical, critical, and/or personal, and must above all engage readers and listeners in a compelling, entertaining, thoughtful, intuitive, sensitive, and provoking manner.
The essay may have intellectual and musical content, references, and allusions, but should contain no footnotes, no bibliography, and no analytic handouts or examples, other than perhaps a musical score. Doctoral students and current Institute faculty members are ineligible. Submissions may be considered for publication in a forthcoming periodical entitled The Musical Essayist. Essays should be submitted electronically as a pdf file or MS Word document. Final adjudications are rendered by a committee consisting of the two faculty co-chairs and the Director, with other faculty recommendations.
The submission deadline is March 1.
Award Recipients
2010 Emily Dolan The Aesthetic Phoenix
– and –
Nina Sun Eidsheim On Haikus, Research, Underwater Singing and Listening
2009 No Award Given
2008 Christopher Doll A Tale of Two Louies: The Jazz and Blues Origins of Rock's Greatest Riff
2007 James Wierzbicki Schoenberg as Werewolf?
2006 Jeffrey Levenberg Sophistry Used Against Transcendental Chromaticism in the Ears of the Discourteous